A documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped in a daily war that knows no winners.

In a four-part special series, News War, FRONTLINE examines the political, cultural, legal, and economic forces challenging the news media today and how the press has reacted in turn. Through interviews with key figures in print, broadcast and electronic media over the past four decades -- and with unequaled, behind-the-scenes access to some of today's most important news organizations, FRONTLINE traces the recent history of American journalism, from the Nixon administration's attacks on the media to the post-Watergate popularity of the press, to the new challenges presented by the war on terror and other global forces now changing -- and challenging -- the role of the press in our society.

Paul Newman hosts a film advocating for a ban on nuclear weapons tests by the United States and the Soviet Union.

In 1880, William Morris travels with his family and friends, as they navigate the Thames en-route to Oxford. Their journey is punctuated by champagne breakfasts, musings on matters aesthetic and socialist, flashbacks to Rossetti and the Pre-Raphaelites, and glimpses of Morris stomping about Iceland.

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Combines footage of the 100th Durham Miner's Gala held in 1983, with extracts from a miners' weekend school held two months later, to raise the central issues that were of concern to the mineworkers' union during the lead up to the national strike of 1984.

The best bell-ringer of the church Fedor Kuzmich Shtukov becomes the foreman of production at the shipyard. Communists and Komsomol members are trying to persuade Fedor to forget about the church, but in vain. Daughter Anna laughs in the face of her father - and in vain too. But when the plant desperately needed a scarce metal, Shtukov, painfully thinking about his native plant, supported the proposal of one of the workers to cast the billet from the church bell, and the vessel was ready for launch on time.

Cunning Hotzenplotz has managed to escape from the village prison with a trick. Kasperl and Seppl immediately set off to recapture the escaped villain. They finally find him in his secret hiding place in the middle of the deep forest. But not only is he at large again - he is also threatening the grandmother with his pepper pistol. He will only release her for a high ransom of five hundred and fifty marks. Together with the courageous constable Dimpflmoser, the two devise a plan. Will they be able to free the grandmother and catch the rascal?

The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.